From the author: About the vicissitudes of feminism, men's fears and women's cunning... and something about rebooting the cultural matrix If a man has lost interest in you, pour gasoline on him... Sometimes strange glitches happen in the usual cultural landscape... like who -it reloads the matrix, and the whole world, which seems completely familiar to us, changes to its very foundations. But along with it, our memory changes... and only some strange echo accidentally reaches us. I’ll tell you about one of them now. And also, about the amazing story of a man in love... And insidious and senseless betrayal. About the true face of feminism... And the art of cinema.... BURNING MAN Recently I rewatched the film “The Wicker Man”, although its title should have been more translate as "Burning Man". And this film, released at the very beginning of the 21st century, combined with trends that are obvious only today, shows us a completely mystical picture. We are talking about the unexpected end of the era of tolerance, political correctness and feminism advancing on all fronts. Perhaps the conclusions are premature, so if you don’t mind, I will retell the content for those who have not seen it, and move on to the analysis of gender and political trends. The main character, an honest American policeman, receives a letter from his ex-fiancée, in which she begs for help in finding her missing daughter. He rushes to the rescue. And after going through a series of trials, he dies at the hands of a feminist sect, which deliberately lured him into a trap with this letter. The film is made extremely convincingly, colorfully, and filled with exciting episodes. The authors lead us through a bizarre labyrinth of intricacies until the last moment, and we are full of faith that the secrets will be revealed and good will triumph... but it dies painfully in the sacred fire. An incredible ending for Hollywood. The hero actually dies, and there is no miraculous salvation. No happy ending, no triumph of truth. It’s as if the world has turned upside down. What's wrong with him...?... UNPUNITY CRIME It seems like this is a parody. A simple mirror reflecting the standard plots of Hollywood thrillers about homicidal maniacs. There is only one villain, he is pursued by a well-coordinated team of police officers - here there is only one policeman and is a helpless victim. And he is pursued and killed by a close-knit group of women. Alas, this is all serious. We are waiting for salvation to come and evil to be punished. But the Marine platoon does not appear on the horizon, and the hero burns in flames, imprisoned inside the effigy of the straw god. A crowd of fierce witches, including the hero's bride and daughter, joyfully enjoys the agony of the victim. Moreover, the meaning of painful torture is in the torture itself. Triumphant feminism has neither social significance nor philosophical meaning, it is simply hatred. Pure fire in which a woman burns a man. Destroys with extreme cruelty, mercilessness and primitive cunning. Everything we know about American cinema is being burned in the fire. It has become commonplace that a woman in cinema is a sacred figure, similar to a lady from a chivalric romance. And even if she is a criminal, there is still something bright in her. Or she will be opposed by a positive heroine. But here women are absolute evil. We look and begin to understand the ancient inquisitors. We understand that these guys wanted good. All the evil in the world comes from women. That’s the only way... DAMNED WOMEN In general, the impression from what I saw was that I found myself through the looking glass. Such feelings can probably be experienced by watching a film about a Jewish conspiracy, where sinister Jews commit ritual murders of Christian babies. A world where such films are openly shown in cinemas seems incredible. This clearly reveals the essence of modern society, where many processes are distorted by undiscussed taboos. Societies of men who were once powerful, strong and ruled the world, but then failed and tormented by guilt. Eternal guilt before a woman who saddles a man. The film presents an encyclopedia of men's fears. Fears are sometimes neurotic, but often well founded. In them, the man is a helpless object of manipulation. Women…